Church of Light - Tadao Ando Architect

Top 10 Most Famous Works Of Tadao Ando Architects

Are you looking for the most famous works of Tadao Ando Architects? But before we provide you with his work, you should know about his background information first. Tadao Ando, a self-taught Japanese architect was born in Minato-ku, Osaka in 1941. However, after being a boxer for a short period, Ando began his self-education by apprenticing with several professional designers and city planners.

However, he attended night classes to learn drawing and took correspondence courses in interior design. Furthermore, at the age of 18, he visited temples, shrines, and tea houses in Kyoto and Nara, observing the traditional architecture in the area. However, in the 1960s he travels to Europe and the United States to analyze great buildings and document his observations in a detailed sketchbook.

Furthermore, he visited buildings designed by renowned architects like Le Corbusier, Ludwig Mies Van der Rohe, Frank Lloyd Wright, and Louis Kahn. He returned to Osaka in 1968 to establish his own design studio. Today he is one of the famous architects in the world. He has been award numerous times. Furthermore, some of his awards include Alvar Aalto Medal in 1985; Pritzker Prize in1995; RIBA Royal Gold Medal in 1997; AIA Gold Medal, 2002 and Neutra Medal for Professional Excellence in 2012.

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Top 10 Most Famous Works of Tadao Ando Architects

1. Tomishima House, Osaka, Japan

Tomishima House

Tomishima House, Osaka was built in 1973. However, it was the first project he complete after establishing his architect firm. Furthermore, he stated, “I walled in the site along its periphery to create an inner sanctuary undisturbed by the noise of the surroundings”. Mohammad Gharipour in an article entitled, “A Postmodern Experience? The Case of Japanese Architecture” expressed, “By designing the Tomishima House in Osaka in 1973, Tadao Ando was introduced to the society of Japanese architects”.

In contrast to the dominant trend, called the ‘new wave’ of Japanese architecture, he attempted to reexamine and modify the formal geometric structural ideas of modernism. However, Ando did this by introducing metaphysical concepts and producing fantasy effects in architectural design. Furthermore, inspired by the Japanese classical architecture in Osaka and Tokyo, Ando was very concerned about a more balanced, humanistic, and poetic approach to architecture.”

Tomishima House, Osaka

2. Row House/Azuma House, Osaka, Japan

Row House/Azuma House

“In its simple spatial composition, in its expression of enclosure, and the way light gives character to daily life’s spaces, this house encapsulates my image of architecture,” said Tadao Ando. Being built in 1976, Row House which is made of exposed concrete replace the middle unit of three-row houses in a downtown district of Osaka. Furthermore, Ando, who sees himself as a “fighter-architect”, design a concrete box amidst the dilapidate wooden row houses that crowd the central areas of Osaka and create a highly self-sufficient living space. Certainly, the house was designed with spaces in the center. With the opening space, it provides a close relation of nature to people living in there. Moreover,  the courtyard is the most significant thing in the building. It connects the two living parts of the house.

Row House/Azuma House

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3. Koshino House, Japan


Koshino House

Koshino House, a holiday home that Ando built for fashion designer Junko Koshino near Osaka in 1980. Certainly, the house is made up of two parallel constructions that are partly set into the steep slope on which they are situated. The underground corridor connects the two buildings.

The courtyard in the middle brings the various elements together and helps with the illumination of the house. Furthermore, a design studio extension consisting of fracture circular segments was added as a third element in 1984, stretching back up the hillside.

Koshino House

4. Time’s 1 & II, Kyoto, Japan


Time’s 1 & II

Time’s 1 began in 1984 and Time’s II in 1991. They are located in Kyoto, Japan. Tadao Ando was hired by the owner to remodel his building. Furthermore, Times 1 building is half-submerge in the level of the street, which is almost at the same level as the river. The building is a small 3-story block, topped with a metal dome. The corridors along the side facing the river collect the pedestrian flow of the street.

Access to the Time’s II is made through a small corridor at the back of the neighboring plot, which is located in the opposite corner. Both buildings are interconnected through corridors and bridges.

5. Church of Light, Osaka, Japan

Church of Light

Church of Light was built in 1989. Tadao is of the view that houses and religious places should not be differentiated. However, in a book by Jin Baek entitled Nothingness: Tadao Ando’s Christian Sacred Space, Tadao commenting on his religious architecture is quoted as saying, “We do not need to differentiate one from the other. Dwelling in a house is not only a functional issue but also a spiritual one. The house is the locus of mind (kokoro), and the mind is the locus of god. Dwelling in a house is a search for the mind (kokoro) as the locus of god, just as one goes to church to search for god. An important role of the church is to enhance this sense of the spiritual. In a spiritual place, people find peace in their mind (kokoro), as in their homeland.”

Church of Light

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6. Rokko Housing, Kobe, Japan

Rokko Housing

The housing complex at Rokko, is located outside Kobe in Japan. Moreover, the designs for Rokko Housing One were complete in (1983) and for Rokko Housing Two (1993) respectively. The building stands on a 60-degree slope of the southern-oriented site on the edge of the Rokko Mountains in Kobe. Additionally, the structures survive after the Great Hanshin Earthquake of 1995.

Rokko Housing

7. Japanese Pavilion for Expo 92, Seville, Spain

Japanese Pavilion for Expo 92

Japanese Pavilion for Expo 92 was built in Seville Spain in 1992. Furthermore, this was Tadao’s first project outside of Japan and the first structure to be built on a material other than reinforced concrete. When visitors enter the building, they will first notice a bridge-shaped arch which leads to the second floor connecting east and west. In addition, the rooms vary in size and height. Furthermore, the entire structure is built entirely of wood and covered with Teflon.

8. Vitra Seminar House, Weil am Rhein, Germany

Vitra Seminar House

This seminar house on the site of Vitra in Weil am Rhein Germany was built in 1993.  Additionally, It was built around a yard of cherry trees as Tadao Ando was reluctant to destroy them. Furthermore, this house has a very calming atmosphere.

Vitra Seminar House

9. Meditation Space, UNESCO

Meditation Space, UNESCO

The United Nations Educational Scientific and Cultural Organization was founded at the end of World War II, with the aim of promoting peace, scientific co-operation and cultural exchange. However, in 1995 UNESCO celebrated its 50th anniversary. Furthermore, to commemorate its milestone anniversary, a space was created for meditation at the organization’s headquarters in Paris. Moreover, it is deemed a place to contemplate a world without conflict and with lasting peace, regardless of individual differences and beliefs. However, it was financed through Japanese private donations.

10. Modern Art Museum of Fort Worth


Modern Art Museum of Fort Worth

Modern Art Museum of Fort Worth is located in Fort Worth, Texas, USA. Furthermore, it was built in 2002. However, the museum was constructed with only concrete, steel, aluminum, glass, and granite and is reflected in the surrounding pond. Furthermore, light plays a key role in the design emphasizing both diffuse and reflect natural light.

Books About Tadao Ando

You may want to find Best Drawing Lesson For ArchitectureThe jury of the Pritzker Architecture Prize explains why Tadao won the 1995 Pritzker Architecture Prize: “Tadao Ando is that rare architect who combines artistic and intellectual sensitivity in a single individual capable of producing buildings, large and small that both serve and inspire. Therefore, his powerful inner vision ignores whatever movements, schools or styles that might be current, creating buildings with form and composition related to the kind of life that will be lived there.”

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